For those who doesn`t know, the Facebook group “La Confrérie du Rhum” is now counting over 12 000 members and it keeps growing! when I wrote about their first rum La Confrérie Barbados 2000 in about a year ago the membership was 3600, so it has more than tripled in a year!
As a member of this group since the beginning and a regular visitor I can easily say this is one of the most talkative rum groups around, and there´s a lot of rum knowledge there, with – naturally since the group is french, a lot of rhum agricoles being discussed (and in between there´s everything else)
But Velier and Silver Seal rums also has a very strong presence as well since those kinds of usually cask strength, full proof, no-additives, one of a kind demerara, caroni and agricole rums are not only some of the best you can get on this planet but they have always been solid in Europe. Personally they were my favorite rums since years back.
If you want to explore the wonderful and interesting rhum agricoles, this is place to be, I have learnt so MUCH during my time there!
In early 2014, Jerry Gitany and Benoit Bail started secretly working together with the distillery La Favorite in Martinique and they worked on a special bottling dedicated to the group. Now almost 2 years later this “cuvèe” dropped just before last Christmas, in 2015.
This collaboration finally brought to a wonderful 20 years old agricole rum which was bottled, waxed and labeled by hand and packaged in beautiful boxes together with 2 tasting glasses branded by the distillery and the group. The price is 205 euro.
This single cask agricole rum is issued from 4 different casks and each bottle shows the cask which it´s issued from and it´s degree of alcohol on the label. There´s a limited edition of 1000 cask strength bottles at 45% ABV. It´s a one of a kind rum.
So here´s my taste notes:
Appearance: very beautiful dark mahogany.
Nose: The nose is round and full, there´s mature tropical fruits like juicy banana mash and peels, sugarcane, hints of florals and herbals, apricots, mango, aromatic and sweet…
Mouth: Deep….this rum is deep and very balanced. Notes of the same fruits as in the nose, hints of wood, it`s a dry rum and it has very pleasant dry aftertaste and is mild and smooth, really caressing the palate. In overall a well balanced, elegant and very pleasant rum to sip. Medium long and dry finish.
Thats it folks! if you can, go get it….it won`t last long.
La Confrérie du Rhum Facebook Group page is here and you can buy this rum at Christian de Montaguére, in his shop in Paris or by contacting Christian.
Compagnie des Indes is a French independent bottler which was founded by Florent Beuchet has a solid wine and spirits background since he comes from a family of wine makers in Burgundy in France, so he naturally started with wine education and tastings and then travelled to the US and worked for Banks Rum in NYC as their Brand Ambassador for 2 years before starting his own brand Compagnie des Indes in 2014.
The idea behind Compagnie des Indes is to bring authentic rum from many regions with both blends of different countries as well as one origins and single casks showing the genuine character of the rums from each region.
The name Compagnie des Indes pays hommage and bring memories from days past when merchants from the East India Companies travelled to bring back precious and exotic goods from far away places. And in like manner Florent brings rums distinct to each region to us.
There´s a commitment to transpareny clearly stating on each label exactly what the bottle contains as well as the name of the distillery, bottling date, number etc – I want to se more of this!
Recently there were two tastings here with rums from Compagnie des Indes, both mixed in cocktails and neat. The range was nine different rums whereof five were single casks. Some rums were also at cask strength. In cocktails the rums are really nice, they mix very well but they also sip very well so they are versatile.
These are generally drier style of rums with no sugar or anything added except for a very few which has a lower amount of sugar or caramel but Florian is all transparent about it and from this upcoming year there will be no more caramel added.
The rums Florian brought to the tasting were these:
1 – Caraibe – A blend of rums from Barbados (mostly Foursquare) 25%, Trinidad 50% and Guyana 25% Aged for between three and five years in American white oak, distilled in column stills, no age statement. This rum is fruity and complex with hints of apricot, peaches and vanilla with a little peppery touch.
2 – Latino – the second of the blends, contains 60% rum from the Industrias Licoreras de Guatemala (who makes Botran and Zacapa) and then 40% Caraibe. It`s a light type of rum, typical for the Spanish types of rum or ron with caramel, toffee and vanilla aromas and a “coffee bean” like finish. Aged 5 years in American white oak.
3 – St Lucia – 13 years single cask, 43% This is a 100% pot still rum using molasses from Guyana. No additives except water. Spicy, warm and woody with a nice fruity finish.
4 – Martinique – 13 years single cask 44% from the Dillon distillery. No additives except water. Has been aged in the “more spicy” french oak, with more dryness and touch of smoke. This is a rhum agricole that is a bit less grassy on the notes than what we usually see with an elegant fruity flavor of ripe tropical fruits.
5 – Barbados 12 year old – pot and column still rum from Foursquare. This rum surprised me with very clear notes of the same flavors as I have encountered in the rums from St Nicholas Abbey. Now that in intself is actually not surprising since Richard Seale and Foursquare have made all the St Nicholas Abbey´s rums except for their latest 5 year old expression. But this is still the first rum I try apart from the very SNA rums that has those flavor notes, interesting….and of course – very nice aromas! kudos to Foursquare! and of course – No additives what so ever.
6 – Boulet de Canon n1 – A limited edition of rum aged in islay whiskey barrels. A refined blend of the Caraibe with 5 yrs rums from Trinidad, Barbados and Guyana, finished in an Islay whisky barrel for 8 months. Has an elegant touch of smoke and a nice finish. Boulet n2 is coming later this year and will be aged in peated whiskey barrels.
7 – Jamaica – 5 years, Navy Strength 57% Worthy Park, Monymusk, Hampden and then, a secret Jamaican distillery makes up this expression. Very nice and flavorful and smooth in regard to it´s proof. No added sugar or caramel colouring. One of my favorites in this bunch!
8 – Haiti 11 years, Barbancourt distillery. Cask strength rum 59.4% it gets better and better…has a round aromatic nose of what it comes from, the old stills at Barbancourt. Unfiltered. No additives what so ever. No added sugar, caramel colouring or water. Very aromatic, dry and fruity. Love at first sight…
9 – Guyana – And the last one, a demerara…(Port Mourant) Very nice and flavorful – but not heavy to my surprise since it´s a cask a strength rum at 58%.
There´s many more rums than these by Compagine des Indes, and especially interesting are a range of very attractive cask strength rums available only in Denmark.
This is a rum company issuing very nice expressions where many are single casks and many also interesting cask strength rums and most without any added sugar (and if they have some – it is stated clearly on the label) so these rums are worthy to look out for.
One last thing, I think the labels are absolutely gorgeous!!
Featured post by Richard Seale of Foursquare Distillery:
I was very disappointed to read the November editorial of ‘Got Rum’ magazine by publisher Luis Ayala. It seems as though Luis is responding to hearsay rather than making a substantive commentary on the Gargano Classification of Rum. It is not about Pot v Column; it is much more nuanced than that. Luca Gargano of Velier, Italy is one of the leading independent bottlers of rum and considered one of the category’s foremost authorities. He is not “lacking in the knowledge to push the concept”. I am confident once Luis has it properly explained, he will support the initiative.
Lets start with Luis’s first claim:
“some people in the industry are proposing differentiating rums based on the type of still used for their distillation, the choices being “Pot Still” or “Column Still.”
This is entirely inaccurate! No such choices are proposed!
Here are the four categories of the Gargano Classification:
1. Pure Single Rum – 100% pot (i.e. batch) still
2. Single Blended Rum – a blend of only pot still and traditional column still
3. Rum – rum from a traditional column still
4. Industrial Rum – Modern multi column still
Traditional Artisanal Rum Distillation
Modern Industrial “Rum” Distillation
Luis then sets up his first straw man:
“to claim that the distillate coming out of a simple pot still (round copper bottom, onion head with swan neck) and an Adams Pot Still with Two Retorts is the same”
But no one has made such a claim.
Moreover, the point of the Gargano classification is not to place the “same” rums in the same category (indeed if that was the case we could just simply taste them). The purpose of the classification is to separate rums in an informative manner: traditional v modern, artisanal v industrial, endogenous v exogenous flavour, authentic v ersatz. The order of the categories is an order for authenticity, complexity and real intrinsic value. It is not an order of preference, more on that later.
And another straw man:
“To further assume that the distillate coming out of a “beer” or “stripping” column is the same as that coming out of a rectifying column is even more ridiculous.”
No such assumption is being made. I reiterate, the classification is about authenticity and value, not whether the rums are the “same”.
It further seems to me that Luis is making a common mistake. The dichotomy is not pot v column; the correct dichotomy is batch v continuous.
The “simple pot still” and the “Adams pot still” are both batch stills. And they are both traditional too, retorts and rectifying sections having been found on batch stills for rum since the early 19th century. As they are both traditional batch stills, they belong in the same category. A batch still with plates is still a batch still. There are no hybrid stills batch v continuous is a dichotomy. Distillers are very much free to make different rums from them. The making of the wine is an important step as distillation and so too is maturation. We expect and hope the rums within a category will not be the same!
What makes the batch v continuous dichotomy so important? Well in a batch still output is a function of time and in continuous distillation system the output is a function of position (in a system which is characterised by a steady state). The latter places an inherent constraint on profile of the spirit.
This key difference means several important things for our classification:
(1) Only the batch still affords the distiller access to the entire volatile component of the wine from which he can select his single heart or multiple fractions to make up his heart as he desires.
(2) Time driven output does not lend itself easily to automation because of the lack of a steady state for any meaningful amount of time. Even today with the best of automation the operation is still largely in the hands of the master distiller and thus inherently artisanal.
(3) The batch still is truly “small batch” and the cost of distillation is orders of magnitude higher than the continuous still (technically this is in part because in a batch still we are distilling a wine of decreasing strength whereas in the continuous still the strength of the wine is constant).
In simple terms the batch still is an indispensable component of premium rum. Or rather put another way, without true small batch distillation what exactly are you paying a premium for? It is unquestionably the most traditional method of distillation.
It will likely be suggested that “heavy” or “full bodied” spirits can be distilled from a column still. Indeed they can but they are inferior to the batch still. That is a subject for an entire article (or two) but a couple of quotes from Distillation scholars (from both rum and whisky) should hopefully convince the reader that it is not a spurious claim.
“Obviously, a carelessly distilled light rum is not a first-class, genuine, heavy rum”……..In preparing heavy rums, distillation of the fermented mash is best conducted in a discontinuous or batch still ” – Rafael Arroyo in Production of Heavy Rums (1945)
Arroyo likens making heavy rums from a continuous still as equivalent to carelessly distilling light rum.
“In order to obtain whisky of high quality, concentration of the spirit must be than 94.17 abv” – M Pyke in Journal of Brewing (1965)
Pyke’s comment reminds me of another common misconception. Whisky (or rum) distilled at high proof of 94% in a traditional ‘coffey’ still is a galaxy away from the distillate at 96% of industrial multi column plants with extractive distillation. Flavour is not a simple function of proof and you cannot directly compare the proof from a continuous system with what is the average proof of the output of a batch system.
But I digress unnecessarily. It is enough that the batch still is the only truly artisanal distillation to place it in the highest category. This might be a novel concept in rum but it is orthodoxy in whisky and brandy.
Luis poses the following as a challenge to the classification:
“Those who assume that all pot stills produce heavy, congener-rich distillates, forget (or conveniently ignore) the fact that many small (“craft”) distilleries actually use pot stills to produce vodka and other light/neutral spirits.”
This is entirely irrelevant!
What idiosyncratic craft distillers do with their pot stills is irrelevant to the classification. The batch still affords the distiller the opportunity to “capture the soul” of his flavourful wine. If he chooses through successive distillations to destroy the flavour that is his prerogative. Stupidity is everyone’s prerogative.
I would caution against the belief that “neutral spirits” do arrive from the pot still. While it is not theoretically impossible to make neutral spirits from batch distillation it is completely impractical. I know of no batch distillation making neutral spirit in practice. To meet the modern specification of neutral spirits a continuous technique known as extractive distillation is necessary. I have visited some of these so called “craft” distillers and observed the purchase of neutral spirits to be distilled again in the pot. Well vodka in, vodka out. Except its now called “craft vodka”. There is a pending court case alleging the same against a certain “craft vodka”. In other cases the product is simply not neutral spirit.
Distilled from low wines and call “pot stilled”? Perhaps more likely distilled from diluted neutral spirit. To meet the classification of “pure single rum”, the spirit must be distilled from the wine. I reiterate no one has proposed the vapid twin classification of pot and column. This is a serious classification. Silly games do not threaten it.
Luis apparently believes we are interested in the following question:
“How then, is one to differentiate the rich, congener-laden distillate from its lighter counterpart?”
Again this is irrelevant and not germane to the purpose of the classification. The classification is not about putting the “same” rums in a category and neither is it about separating “light” from “heavy”.
Luis’s answer to his own question is a tautology. Indeed if we were interested in classifying rums by congener counts, we would, wait for it, count congeners! But congener counts are a banal way to classify rums. It is inane to believe that a spirit containing hundreds of flavour inducing compounds should be classified by a handful of trite readily identifiable congeners. A poorly rectified column spirit even blended with neutral spirit will have ‘impressive’ congener counts. Does that make it artisanal? Can we tell from the lab test if the flavour profile is authentic? Does it capture the soul of the wine? Only an organoleptic test will suffice. These abridged lab results cannot even distinguish rum from whisky. A congener count of a few select congeners is just plain silly.
It is often said that Rum is a “global spirit” but it is far from the truth. Rum distillation as a 19th century distiller would recognise is today sadly uncommon. We have lost so many distilleries in the 20th century. There were 110 distilleries in Jamaica in 1901. Today there are 4. It is important to distinguish between traditional and modern distillation. Much “rum” today is absurdly neutral in character and not even produced by Rum Distilleries but rather by Industrial scale alcohol plants located to take advantage of cheap labour in some parts of the Caribbean. Traditional rum distillation in these territories has long disappeared. So-called “rum” is a tiny part of their output. They are the antithesis of artisanal. Consumers, bloggers, enthusiasts need to know the difference.
Rum is a spirit in the best of traditions but the category is facing two alternate paths. Is premium rum to have real value (as for whisky and cognac) or perceived value (as for vodka)? With rum’s renaissance too many ersatz products are arriving on the market to take advantage of consumers. Industrial scale production (from distilleries unknown or unseen), murky (or downright false) age statements, wine or other flavourings, sweetened by sugar and coloured like coca cola with caramel. At the same time, we have truly artisanal pure batch still rums with transparent age statements, from a named distillery, free of added colour, flavourings and sugar. Pure rum as it should be.
We need a framework that allows enthusiasts (and ultimately consumers) to distinguish between the two. Some will argue that typical consumers will care little about distillation and they would be right. But those same consumers know they must pay more for Cognac over Brandy and for Single Malt over Blended. These premium spirit buyers also know an age statements means, wait for it, its actual age! Not some ‘solera’ nonsense that is nothing less than a shameless attempt to obfuscate. When a brand asks for premium pricing, they must tick the boxes: artisanal production and transparent age statements. The new framework will help guide enthusiasts to understand if the rum meets the demanded value.
It is little wonder then that Rum does so poorly at the highest level. According to the IWSR only 16% of rum sales are at the premium/super premium level in contrast to 66% for Whisky (it is even 48% for Tequila). Our most expensive actively available rums can only barely make the top 50 list of the most expensive actively available whiskies. Why? We have to get our communication right and white/gold/dark for categories is pathetic.
Enthusiasts need to ask themselves what do they want from the category? Real value and authenticity or seduction with sugar and nice packaging for Industrial scale products. If the latter is sufficient to attract premium pricing, then traditional rum production may go extinct. It is already an endangered species. The large corporate brands will fight this classification. They prefer to sell perceived value, as it is far more profitable. We need opinion leaders like Luis on our side. Don’t dismiss a much needed classification as merely pot v column or light v heavy. The new classification is also not intended to create an order of preference. Just the same way you are entitled to prefer a blended whisky over a single malt, you are still free to love your Bacardi mojito or Captain and Coke (if you really insist!).
The new framework does not tell you what to enjoy but rather how to value what you enjoy.
This year was without doubt the best Rumfest ever! such great selection of rums and classes, tastings and good people. The venue, the ILEC Conference Centre is a good place for this and I don`t think it felt too crowded this year. With over 400 rums to try a rum enthusiast will be very busy these 2 days…
The varietes and types of rums was astonishing – everything from old favorites and big brands to new rums for this years UK Rumfest. Some of the old ones included St Nicholas Abbey, Foursquare, Real McCoy, Bristol Spirits, Don Q, Westernhall, St Aubin, Ron Diplomatico, Botran, Pusser`s, Angostura, Rum Fire and more….
And some of the new rums included Hamilton rums and Matugga and then there was a new rhum agricole tasting room manned by Benoit Bail and Jerry Gitany with several tastings of different agricole cane spirits from Martinique with four tastings a day (!) which was a great new addition for this year – as well as the House of Velier tasting room.
The House of Velier tasting room and session by Gianluca Gargano….who brought not only his educational and entertaining classes to the UK Rumfest but also an array of absolutely incredible rums – among them were four of the eight new upcoming Habitaion Velier pure single pot still rums, one among them in collaboration with Foursquare. You can see them all here.
More rhum agricoles and the presence of Velier is what i have been missing the previous years….now i`m very happy 🙂 and I hope the presence of Hamilton rums is an indication of those rums being sold in Europe soon….that said, there were of course a LOT of other interesting and exciting rums too! too many to get to try them all believe it or not.
The day before the rumfest which was on the saturday and sunday, was the Boutique Rumfest, an event for the trade with a great selection of rums on display as well and a chance for people in the industry to get together. And before the Boutique Rumfest was the Rum University with masterclasses by Tito Cordero from Ron Diplomatico. Richard Seale from Foursquare and Aroma Therapy.
And of course there were cocktail competitions, rum auctions and Caribbean rum cooking……..paired with the traditional carnival dancers and drummers.
I started my UK Rumfest adventure with a trip on the thursday night to the Tiki on Thames Rumfest Party at Mahiki which was very nice with a whole bunch of good rum friends there. Mahiki has some beautiful tiki decor and the drinks were good and the ambiance wonderful!
Doesn`t matter how much you know about rum, or think you know…there´s always much much more to learn, and the Rum University is a good thing to attend! the rum school never ends…
This year there were three seminars, the first was with Tito Cordero about Ron Diplomatico which contained some very interesting information about how their rums are distilled, in an intricate way with many different stills and ways, I had no idea…and then of course we got to taste one of their rums., the Diplomatico Reserva Exclusiva.
Ron Diplomatico grow their own sugarcane in Venezuela and use water from their own wells behind the distillery, also they propagate their own yeast, it´s one of the world´s top range rums.
The next seminar, the Aroma Therapy was all about mastering the art of olfaction that forms our sense of smell and the ability identificate aromas and smells. We got taste strips which over a matter of minutes changed their fragrances, and we wrote down what flavor notes we got from them before the true flavor notes of the strips was revealed, a very interesting experiment.
When you describe a flavor note, go from A-Z, for example “banana” is not just “banana” it can be so many things – from unripe or green to caramelized with raw sugar and one key thing to id aromas and smells is aroma recognition. Go into the depth of what you taste and smell when trying to describe it.
The last seminar was with Richard Seale debunking rum myths and revealing some hard facts and truths….also talking about rum cathegories and distillation. Anyone interested in rum should go to one of Richard`s seminars. One thing to learn is that fermentation is the making of the “wine” and the creation of flavor while distillation is the extraction of flavor, while maturation is the evolution of flavor.
He also made an interesting experiment, we got three glasses with clear spirit, two were industrial rums and one contained a vodka and he asked us to pick out which one was the vodka, and that sounds like an easy task but it wasn`t, me for one, was very unsure about which one was what and that my friends showed me how some industrial rums are made to be just like vodka…an eye opener for sure.
I don`t know which brands of rums they were but I know for sure that that is NOT the kind of rums I want to drink, I want rum to taste like rum and don`t want it to be industrial. Also there were two glasses, one with a pot still rum and one from a column to show us how the pot more accurately captured the raw material, the wine of the molasses and smelled like true rum.
Further Richard stated that all rums that contains sugar are not bad but all bad rums contains sugar….
After the Rum Univeristy the Boutique Rumfest was on…and when you come out to that rum filled room you feel like children coming to a big playground full of candy and toys… 😀
There was a good selection of rum producers displaying their rums, the good thing about Boutique Rumfest is that they have time to really chat with you since it`s not so crowded. It`s also a place to get to try more odd rums that you usually don`t stumble on and one such rum and that had a very different flavor was Matugga rum which is made in the UK using ingredients from East Africa.
Another interesting rum was Nine Leaves from Japan, a rum that tastes better than I knew coming from a country which is known more for their whiskies than rum.
Also happy to see the Hamilton rums there, for the first time in Europe and I sampled the three I reviewed earlier this summer (Guyana 43%, Jamaica Pot Still Black and Saint Lucia Pot Still 7 years) plus the Jamaican Pot Still Gold and the Saint Lucia Pot Still 9 years, and it was all good…..I especially liked the Saint Lucia 9.
Heavy rums with a lot of rich and pungent flavors.
Rumfest Day One
And finally, the big day! the Rumfest with everything that it entails….LOTS of rums to discover and try as well as old favorites to drink again. Caribbean food and music and lots of seminars and tastings! and the “global rum mafia” was well represented! It`s the people that makes it all up! old friemds and new friends, you meet them all the Rumfest!
House of Velier
First tasting seminar for me was House of Velier, what else? it`s some of the best rums in the world and I been a fan of Velier rums for many years. I followed the notes that was taped to the walls….eager to get to the rum sanctuary called “House of Velier Tasting Room”….hmm….those are some magic words…
The rest of the people coming after me could surf on the waves of drooling on the carpet…..but joke aside, it was very special.
Just follow the signs….
Luca Gargano, always so passionate about his rums presented a great session with some really incredible rums to sample, some which probably i`ll never get to try again. Luca took us through his history with rum from when he as a young brand ambassador for St James rhum in the 70s first went to Martinique………at the time he fell in love with rhum/rum and never looked back.
When he was 27 he purchased the company Velier and started to import several brands of rums and the rest is (very interesting) history until this day with Luca for the first time at the UK Rumfest presenting a few of his wonderful and unique rums.
I saw and also wrote about his Clairin presentation earleir at this year`s Tales of the Cocktail in New Orleans and it was absolutely fabulous.
Among the rums he presented was the red magnum bottled “Caroni 2000 Millenium” (Extra Strong 120 proof) and which blew me away….and the fabulous “Basseterre -95” from Guadeloupe, four expressions of the House of Velier Single Pot Still rums, Uitvlught 1996, the new Caroni 17 year, the wonderful Clairins from Haiti, Rhum Rhum 2012 version integrale (higher proof) Caroni single cask 2000, Diamond 1999……..oh my the RUMS!
And very interesting was the new soon to be launched single pot still rums (looking forward to get me a bottle of that Foursquare – or if possible, all of them….)
It was a tasting fest like no other! when you get to taste these kinds of rums, the word “rum” gets a whole new meaning.
Rhum Agricole from Martinique
After Velier I went to the Rhum Agricole tasting session, “Rhums of Martinique” by Benoit Bail and Jerry Gitany where we could sample different rhums agricoles, among them rhums from St James, Trois Rivières, La Mauny, Neisson, Rhum JM, HSE, Rhum Clemènt…all great rhums.
I`m very happy to see so much more rhum agricoles at the UK Rumfest, it has been called for for a long time….we need more rhum agricole at the (non french) rum events.
A Baby has grown up!
Yep! there´s a “rum baby” that has grown up this year….namely St Nicholas Abbey`s newest rum which a little bit pre-maturely was launched last year….the 5 year old expression.
This year the baby has grown up and the flavors matured. It has the typical st Nicholas Abbey flavor, an explosion of flavors in other words, I think it tastes stronger and more complex than it was last year.
This rum was made from their white rum that was laid to rest creating their first estate produced 5 year old rum.. It`s their first rum distilled and aged entirely on the estate (the previous rums were made exclusively for the plantation by master Distiller Richard Seale from R.L Seale and Foursquare) and was ready in 2014.
The St Nicholas Abbey Rum 5 Year Old is a beautiful Rum that commemorates a beautiful story – not least, the first generation of Warren’s, Arthur and Henry, born into St. Nicholas Abbey 21st May 2014.
It`s only to congratulate! it`s a fine fine range of rum expressions, on the very top of good rums in this world and if you would do a blind tasting you would easily be able to pick up any of the St Nicholas Abbey rums because they really do have a very distinct flavor.
And not only do they sell their beautiful rums in hand engraved botttles at their estate and distillery on Barbados, there´s all kinds of absolutely gorgeous products, one is their sugarcane syrup which was on display at the Rumfest. And it`s not your usual sugar syrup, this is made with their sugar cane “honey” (not the same as honey from the bees:-) which is fermented sugar cane juice and it has a deep deep flavor….same as their rums and no wonder, that`s what their rums are made from…
Of course Foursquare had their Doorly`s there and also the Port Cask Finish which I also tried last year, but this year there were also a few new expressions (at least to me) that I had not tasted before, all special casks – a 2004 vintage at 61%, a Sinfadel Cask Blend at 43% and a 2013 Cognac Cask at 65%, they were all very good!
These are rums for sipping and enjoying slowly….good rums shall never be gulped down! you waste the precius (and often expensive) “juice” and miss out on the whole array of taste notes that is hidden in the “treasure chest”….
I wouldn`t use these in cocktails either, some rums are best sipped neat.
I like to see Foursquare coming up with more cask strength rums because I think they carry so much more flavor and punch, they are so much more interesting….
Rumfest Day Two
Same same but different….with other rums to try that I missed yesterday and it´s always such a good feeling to return to that happy rum filled big room on the sunday…. 🙂 and I did go back to the Velier tasting room since there were some additional other rums to try on the sunday and I don`t need to be asked twice if I want to return to a Velier tasting room….I could go to a Velier tasting room every day the whole year long.
I also went back to the Rhum agricole tasting room too to try what I missed yesterday….because yesterday there was so much chatting that I missed out on some of the rums when time did run out….
Followed the agricole tasting room was the Mauritius Gold Cocktail Competition and then the traditional Caribbean drummers and dancers which always closes down the Rumfest.
Another nice thing was the Bacardi “hut” with cool cocktails, same way as last year but another rum (Bacardi 8) and other cocktails. This time we got a wooden tray with three mini cocktail “glasses” on, one was a Bacardi 8 neat, one was an Old Fashioned and one was the “Old Cuban” cocktail.
Very tasty (especially the Old Cuban) and very neat! I really like how they present their products.
Passing by the Angostura both beautifully arranged with all their iconic rums and bitters I saw one of the coolest rum barrel mugs ever, if I could just get me one of these….I wish….if I had one of these mugs i`d make tiki drinks with Angostura 5 and 7 year old rums….how cool wouldn`t that be? what I love the most about it is how beautiful the barrel is and then the butterfly!!
Beautiful Angostura rums
Here´s pictures of the Rumfest, I hope to see you there the next year dear readers of my blog 🙂 it`s an amazing event with so much to see and do!
Jamaican flavors with Blackwell rum! and cocktails….
The Golden Eye and Black Storm…followed by…
…..some JWray overproof Rum Punches!
The man responsible for it all….Global Rum Ambassador Ian Burrell. Holding the special Rumfest Blend!
Ekte Rum from Copenhagen Rum Club! Dark and Aged…
Pungent and Geeky!
What would a rumfest be without pirates? and this particular pirate, “Jack” was everywhere…. 😀
I see this rum every year…it`s a good one and to me the rumfest would be “empty” without this bottle around….
More good overproofs….RumFire and RumBar.
Another brand I like, Mezan rums, especially the Monymusk one.
At the Don Q stand, Alexx Mouzouris did a fantastic job with both the cocktails and the decorations…..just like he did the last year. He knows how to make it stand out and look inviting and special! and he sure knows how to make super tasty cocktails.
Rums from Mautitius….
Bristol Classic….another rum i`m used to see at the UK Rumfest, this is a classic good rum brand with many different expressions and types of rums represented.
And Real McCoy! this is a very very good rum! made by Foursquare for Real McCoy.
This picture is just to make you thirsty… 🙂
And when you`re thirsty….a Painkiller is never wrong….
Cheers and Up Spirits!
Pusser`s Gunpowder Proof.
Rhum agricole, so different from molasses rums and equally good, this is what I love about rum, there´s so many different ones!
In between rums or WITH rums, Shocka´s coconuts is a must have at the UK Rumfest. I filled mine with Mezan Monymusk rum….
A very good sugarcane syrup, made on Martinique.
Trois Rivières….nice rhums.
HSE – Habitation Saint Etienne, Sherry Finish, a very good rhum agricole.
Here`s the new 17 year old Caroni by Velier, it´s very good….
The 2000 Caroni Millenium magnum bottle, an incredible rum! with the 17 year, these are some seriously good rums and if I could afford that big red magnum Caroni….but maybe one day.
Velier rums…a whole table full of them for tasting….
Caroni, single Cask.
Aged in the tropics.
More tropical aged demerara rums from Velier….
This is rum prn for rum geeks…..
Basseterre -95, a fantastic rum from Guadeloupe, I like this one very much.
Rhum Rhum 2012, the stronger version (version integrale) amazing rum!
Habitation Velier, Forsythe Pot Still 2005. On the back label it says “it`s the fruits of the first distillation in more than 50 years at Worthy Park in the double retort pot still built by Forsyth. Barrel proof without additives or colorings. It was the first rum to be produced at Worthy Park when the historic estate which had previously worked interruptedly since 1670, started distilling again.
Uitvlugt 1996….another amazing rum.
Aloha time at Mahiki 🙂
With tasty Pina Coladas.
Giant clam shell to wash your hands in at the ladies room, Mahiki, beautiful!
So it started with a tiki bar and ended with another tiki bar….
After the Rumfest closed down there was the traditional after party at the Trailer Happiness!!! something I did NOT wanna miss! and there we got these huuuuuge Zombies in skull mugs…..and I don`t know what they did put in those but yes they totally zombied me out ….. 😀
This was so not to be missed! What a wonderful way to finish the Rumfest, with these huge superpotent Zombies! I hope I can be back again the next year!